翻訳と辞書
Words near each other
・ Giovanni Battista Rinuccini
・ Giovanni Battista Rizza
・ Giovanni Battista Rogeri
・ Giovanni Battista Rubini
・ Giovanni Battista Ruggieri
・ Giovanni Battista Salvi da Sassoferrato
・ Giovanni Battista Sammartini
・ Giovanni Battista Sangiorgi
・ Giovanni Battista Sassi
・ Giovanni Battista Savelli
・ Giovanni Battista Scalabrini
・ Giovanni Battista Ceruti
・ Giovanni Battista Ceschi a Santa Croce
・ Giovanni Battista Chiappe
・ Giovanni Battista Cicala
Giovanni Battista Cimaroli
・ Giovanni Battista Ciolina
・ Giovanni Battista Cipriani
・ Giovanni Battista Cirri
・ Giovanni Battista Coletti
・ Giovanni Battista Colomba
・ Giovanni Battista Comolli
・ Giovanni Battista Conforti
・ Giovanni Battista Consiglieri
・ Giovanni Battista Coriolano
・ Giovanni Battista Costanzi
・ Giovanni Battista Crema
・ Giovanni Battista Cremonini
・ Giovanni Battista Crescenzi
・ Giovanni Battista Crespi


Dictionary Lists
翻訳と辞書 辞書検索 [ 開発暫定版 ]
スポンサード リンク

Giovanni Battista Cimaroli : ウィキペディア英語版
Giovanni Battista Cimaroli

Giovanni Battista Cimaroli (1687–1771) was an Italian painter of the late Baroque period.
==Biography==
He was born in Salò on Lake Garda, not far from Brescia. He studied under Antonio Aureggio and later in Bologna with the landscape painter Antonio Calza, before moving to Venice around 1713. Cimaroli's rustic landscapes are reminiscent of the Arcadian scenes of Francesco Zuccarelli, influenced by a tradition of Lombardian realism.〔Spadotto, Federica (2009). 'Zuccarelli tra emuli, imitatori e copisti', p. 324–7. In ''L'impegno e la conoscenza: studi di storia dell'arte in onore di Egido Martina.'' Pedrocco, Filippo and Alberto Craievich, eds. Verona: Scripta edizioni.〕 In c. 1722–6, Cimaroli collaborated with Canaletto (amongst other Venetian painters) on Owen McSwiney's unusual ''Allegorical Tombs'' series, whose aim was to memorialize British worthies, the main sponsor being the 2nd Duke of Richmond.〔Haskell, Francis (1980). ''Patrons and Painters: A Study of the Relations between Italian Art and Society in the Age of the Baroque.'' Revised and Enlarged edition. Yale University Press. New Haven and London. Haskell lists Canaletto and Piazetta as collaborators with Cimaroli in the painting commemorating Lord Somers; Balestra and Domenico and Giuseppe Valeriana for William III; Canaletto and Pittoni for Archbishop Tillotson; Paltronieri (''il Mirandolese'') and Pittoni for Lord Dorset.〕〔Spadotto, Federica (2011). Spadotto clarifies Haskell to include D. Valeriani and an unknown Bolognese artist as collaborators with Cimaroli in regards to the painting of Lord Stanhope.〕 Caneletto's ''vedute'' became the inspiration for Cimaroli's own topographical views of Venice, which until recently have often been concealed under misattributions to Canaletto.〔 Important early patrons of Cimaroli were Marshal Schulenberg, Count Tessin of Sweden, and the British merchant and diplomat settled in Venice, Joseph (Consul) Smith.〔Haskell, Francis (1980).〕 It was through the disposition of Consul Smith's art collection, hand-picked by Smith for King George III, that six landscapes by Cimaroli entered the Royal Collection, of which three oval views survive. Giovanni Cimaroli, despite the esteem of contemporaries, was nearly forgotten until the mid-twentieth century,〔 but has undergone a revival of critical interest, typified by the publication of the first catalogue raisonné of his paintings.〔

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「Giovanni Battista Cimaroli」の詳細全文を読む



スポンサード リンク
翻訳と辞書 : 翻訳のためのインターネットリソース

Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.